About
Katie Tindle is a contemporary artist, writer and educator living in London, originally from the North East of England. Tindle is a multidisciplinary artist, mostly working with multimedia installation and moving image work. Tindle’s recent work has been focussed on oral storytelling, community myths and hearsay, exploring ways of expressing connections to place and homecoming. In particular ‘Wyrm’ is an ongoing series of works exploring the myth of the Lambton Worm, a folk cryptid from her home town of Washington, in Sunderland. Tindle is using the story of the worm to investigate themes including wealth and power discrepancies within the area, notions of civic and personal responsibility, and community and friendship maintained through shared anecdotes. Tindle’s work also explores critical use of technology, combined with traditionally female coded/feminised craft practices and their role within the production of labour.
Tindle is also a founder member of the arts collective In-grid. In-grid is a trans*feminist collective of artists/educators/technologists working in and around digital infrastructures. In-grid has been working together since 2019, and is made up of a fluid group of people dispersed globally. Most recently, Tindle has been working on ServPub, a project developing alternative platforms for research and practice on computational publishing, to reflect collectively on affective infrastructures, minor tech and autonomous networks within, and beyond, institutional constraints.
Facilitating others’ work is also a large part of her practice, now largely achieved through the collective In-grid, but she has also curated under her own name and the pseudonym G.George, establishing the Listening Booth online sound archive and collaborating with artists and collectives such as ArtLacuna, 12o, KO projects, RadioAnti and isthisit? Gallery.
Tindle graduated from Central Saint Martins, UAL with a BA Hons in Fine Art, and holds a Masters Degree in Computational Arts from Goldsmiths, UoL. She is currently a lecturer in Computational Arts at Goldsmiths.
Education
- MA Computational Arts, Goldsmiths, University of London, 2019–2021, Distinction
- BA (Hons) Fine Art, Central Saint Martins, University of the Arts London, 2011–2015
Exhibitions
- 2026 — Oscillations, video and poetry with Megan Bates, Avalon Café and Goldsmiths, University of London
- 2025 — The Long Way, group exhibition, SET Lewisham, London
- 2025 — I have a skeleton story to tell you, performance with Irini Kalaitzidi, In-cognito, Ormside Projects, London
- 2024 — Manifold, Goldsmiths, University of London
- 2024 — Losing the Plot, group exhibition, Hackney Studios x Hypha Studios, London
- 2024 — In-grid.RealBodies_2.1, performance evening and exhibition, Avalon Cafe, London
- 2023 — a side b side, Goldsmiths, University of London
- 2023 — In-grid.RealBodies_2.0, performance evening, the Marquis N16, London
- 2022 — In-grid X SET, SET Woolwich, London
- 2022 — Chain, group exhibition, Iklectik, London
- 2022 — Tropical Lab 16, group exhibition, Institute of Contemporary Art, LASALLE, Singapore, curated by Mithu Sen
- 2022 — Schemes and Schemas, group exhibition, hArtslane Gallery, London
- 2022 — [DIGITAL] FANTASIES, online group exhibition, The Wrong Biennale
- 2022 — In-grid.RealBodies, group exhibition, Corsica Studios, London
- 2019 — [S]; Rhythms in ArtLacuna, group exhibition, ArtLacuna, London
- 2018 — Turned on, group exhibition, ArtLacuna, London
- 2018 — Aunty Freeeze, group exhibition, Cave, London
- 2017 — Female Trouble, group exhibition, Drakefell Road, London
- 2017 — These Boots Are Made For Walking, cover versions, online group exhibition, isthisit? Gallery
- 2016 — Across the Pond, Hot August Nights, group exhibition, SLAM, Los Angeles (credited as G George Arts)
- 2016 — So, what is it that you do exactly?, group exhibition, SLAM KX, London (credited as G George Arts)
- 2016 — Elastic Mediums, group exhibition, Campbell Works, London (credited as G George Arts)
- 2015 — Prints @ Tin Cafe, solo exhibition, Tin Cafe, London
- 2015 — [In]Visible, group exhibition, Shape Gallery, London
- 2015 — Semes Spatial, group exhibition, Campbell Works, London
Talks and conferences
- 2024 — Panelist, hosted by Threadsafe collective @ Meta_Morphosis
- 2024 — EASST-4S 2024, Collective Infrastructures panel and workshop
- 2024 — Transmediale, Berlin, Content/Form
- 2021 — Plenary speaker, Inter/sections 2021, Centre for Media and Arts Technology, Queen Mary University of London
Publications
- Publishing as Collective Infrastructure, with In-grid, noNames, Shape, Systerserver and others, Minor Compositions (forthcoming, 2026)
- Femfester, In-grid, 2024 — also published in Artists Running Data Centers, servus.at, 2024
- Peer-reviewed newspaper, Vol. 13, CONTENT/FORM, APRJA, 2024, with In-grid
- In-grid Dossier, 2024
- Freeport 1: Anatomies of a Black Box, Matadero Critical Studies, Matadero Madrid, 2021
- Featured artist in Churchill, J. (Ed.) (2016), Looking at Painting: Volume 2: Painting in the expanded field
- Featured artist in Churchill, J. (Ed.) (2014), Looking at Painting
Press
- Collective Infrastructures for Publishing, Copim, 2025
- The (Im)possibility of Non-Extractive Collaboration, Copim, 2025
- Embodied and embedded publishing infrastructure on ServPub, Copim, 2025
- On the intersection of London’s art scene and nightlife, Bryson Edward Howe, The Roost, 2022
- Club night & exhibition: In-grid.RealBodies live at Corsica Studios London, Clot, 2022
Residencies
- 2022 — Tropical Lab, LASALLE, Singapore
- 2020 — In-grid.io, Arebyte Gallery, London
Awards and grants
- 2024 — Developing Your Creative Practice (DYCP) grant, Arts Council England
- 2021 — Shortlisted, Arts Emergency Exit Prize
- 2014 — ArtSlant showcase winner
- 2012 — Balman Gallery Bursary
Contact
Email katie.tindle@in-grid.io · Instagram @ktwindmill